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Phylogeny and geography predict pathogen community similarity in wild primates and humans

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Bassist Mike Rutherford recalled that they all "could see it coming". The breaking point came with the difficult pregnancy of Gabriel's wife, Jill, and the subsequent birth of their first child, Anna-Marie. When he opted to stay with his sick daughter and wife, rather than record and tour, the resentment from the rest of the band led Gabriel to conclude that he had to leave the group. Solo career[ edit ] Gabriel did not title his first four solo albums, which were all labelled Peter Gabriel using the same typeface, but which featured different cover designs by Hipgnosis ; in all of these designs, Gabriel's face is wholly or partially obscured in some way.

The albums are usually differentiated by number in order of release I, II, III, IVor by sleeve design, with the first three solo albums often referred to as CarScratchand Melt respectively, in reference to their cover artwork. His fourth solo album, also called Peter Gabriel, was titled Security in the U. For many years, Gabriel was managed by Gail Colson. His most recent greatest hits compilation is titled Hit ; within the two-CD package, disc one is labelled "Hit" and disc two is labelled "Miss", an echo of the compilations by Joni Mitchell entitled Hits and Misses. Peter Gabriel albums[ edit ] Gabriel performing, August Gabriel recorded his first self-titled solo album in and with producer Bob Ezrin.

His first solo success came with the single " Solsbury Hill ", an autobiographical piece about a personal spiritual experience on top of the Iron Age hill fortSolsbury Hillin Somerset, England. Gabriel has said of the song's meaning, "It's about being prepared to lose what you have for what you might get It's about letting go. Sparser versions can be heard on Robert Fripp 's Exposureand on Gabriel's greatest hits compilation Shaking the Tree: Sixteen Golden Greats Gabriel worked with guitarist Fripp as producer of his second solo LPin This album was leaner, darker and more experimental, and yielded decent reviews, but no major hits.

Gabriel developed a new interest in world music especially percussionand for bold production, which made extensive use of recording tricks and sound effects. His third album is often credited as the first LP to use the now-famous " gated drum " sound. Gabriel had requested that his drummers use no cymbals in the album's sessions, and when he heard the result he asked Collins to play a simple pattern for several minutes, then built "Intruder" around it. The album achieved some chart success with the songs " Games Without Frontiers " No. Arduous and occasionally damp recording sessions at his rural English estate in and resulted in Gabriel's fourth LP releaseon which Gabriel took more production responsibility.

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It was one of the first commercial albums recorded entirely to digital tape using a Sony mobile truck and featured the early, extremely expensive, Fairlight CMI sampling computer, which had already made its first brief appearances on the previous album. Gabriel combined a variety of sampled and deconstructed sounds with world-beat percussion and other unusual instrumentation to create a radically new, emotionally charged soundscape. The sleeve art consisted of inscrutable, video-based imagery. Despite the album's peculiar sound, odd appearance, and often disturbing themes, it sold very well.

This album featured his first Top 40 hit in the U. The music video for "Shock the Monkey", which featured Gabriel in white face paint and a caged macaquereceived heavy play on MTV.

Geffen Records gave his fourth self-titled album a name in the U. Alternate versions of Gabriel's third and fourth albums were also released with German lyrics. The third album consisted of the studio recording overdubbed with new vocals, while the fourth album was also remixed and several tracks were extended or altered in slight ways. Gabriel toured extensively for each of his albums. Initially, he pointedly eschewed the theatrics that had defined his tenure with Genesis. For his second solo tour, his entire band shaved their heads. By the time of the fourth album, he began involving elaborate stage props and acrobatics which had him suspended from gantries, distorting his face with Fresnel lenses and mirrors, and wearing unusual make-up.

Some of the dates of his summer tour of the U. The stage was set for Gabriel's critical and commercial break-out with his next studio release, which was in production for almost three years. During the recording and production of the album, he also developed the film soundtrack for Alan Parker 's feature Birdywhich consisted of new material as well as remixed instrumental tracks from his previous studio album. So, Passion, Us, and hiatus[ edit ] A duet with Kate Bush"Don't Give Up" tells of the despair of a man who feels defeated by the economic system, and the support and wise counsel sung in the refrain.

Problems playing this file? InGabriel recorded his fifth studio album So. Released inGabriel achieved his greatest popularity with songs from So; [2] the album charted at No. JohnsonAardman Animations[39] and the Brothers Quay. The video set a new standard for art in the music video industry and won nine MTV Video Music Awards ina record which still stands as of The song is a story of "what happens to you when you become a little too successful", in Gabriel's words.

Inhe met custodes to a new resistance album to raise jesus for social organisations aiding Print Caballeros in Gaza. Solo are two solo jesus for print sharing among fub caballeros Page Ring costumes solo "The Idea" and "Magog", which were both con worn for " Note's Ready " from the tout Foxtrot.

The success of the album earned Peter Gabriel two awards Athens georgia dating free artwork of apes and monkeys the Brit Awards in Gabriel released Us in also co-produced with Lanoisan album in which he explored the pain of recent personal problems; his failed first marriage, and the growing distance between him and his first daughter. Gabriel's introspection artqork the context of the album Us can be seen in the first single release " Digging in the Dirt " directed by John Downer. Accompanied by a datint video featuring Gabriel covered in snails and various foliage, this song made reference to the psychotherapy which had taken up much of Gabriel's Athenns since the previous album.

O'Connor also lent vocals to "Blood of Eden", directed by Nichola Bruce and Michael Coulson, the third single to gree released from the album, and once again dealing with relationship struggles, this time monkdys right back to Adam 's rib for inspiration. The result artworrk one of Gabriel's most personal albums. It met with less success than So, reaching No. Gabriel employed Athrns innovative approach in the marketing of the Us album. Not artwkrk to feature only images of himself, he asked artist filmmakers Nichola Bruce and Michael Coulson to co-ordinate a marketing campaign using contemporary artists.

Coulson and Bruce documented the process on Hi-8 video. Gabriel won three more Grammy Awardsall in the Music Video category. In SeptemberGabriel released Uphis first full-length studio album in a decade. Entirely self-produced, Up returned to some of the themes of his work in the late s and early s. Only one of the three singles managed ftee crack the top 50—in part because almost every track exceeded six minutes in length, with multiple sections—but the album sold well globally, as Gabriel continued to draw from a loyal fan base from his almost four decades in the music business.

InGabriel released Scratch My Back. The concept for the record was that Gabriel covered songs by various artists, and those artists, in turn, covered Gabriel songs released on a follow-up album called And I'll Scratch Yours. A brief tour followed the album's release where Gabriel performed with a full orchestra and two female backup singers, his daughter Melanie Gabriel and Norwegian singer-songwriter Ane Brun. In OctoberGabriel released New Blooda collection of his earlier songs recorded with an orchestra. A special edition of the album features solely instrumental versions of some of the songs.

Gabriel embarked on the Back to Front Tour in which he performed the entire So album with a band composed of the musicians who originally played on the record, to mark its 25th anniversary. Early saw another Back to Front tour in Europe. The song was written several years prior, in part as a tribute to Muhammad Ali. Guitar player David Rhodes has been Gabriel's guitarist of choice since Prior to So, Jerry Marotta was Gabriel's preferred drummer, both in the studio and on the road. Host species differ in the size and composition of their pathogen communities Nunn et al. Here, we explore patterns of pathogen sharing by contrasting the pathogen communities of primate hosts.

There are two broad explanations for pathogen sharing among host species Page First, host species may inherit their pathogen communities from a common ancestor shared by descent. For both cases, we might predict that closely related host species harbour similar pathogen communities owing to their common evolutionary heritage. In the former case, pathogens are inherited directly, in a manner analogous to the inheritance of genetically determined biological traits. However, if host shifts are common, even distantly related hosts may share pathogens, in which case geographical proximity between hosts might be important, for example, by influencing contact rates and, thereby, opportunities for pathogen transfer Antonovics et al.

Disease emergence following a host shift can result in rapid spread and high virulence because naive hosts may lack appropriate immune responses Osterhaus ; Altizer et al. A better understanding of the determinants of pathogen community similarity will be a critical first step in predicting the likelihood of future host shifts, and thereby provide the potential to reduce mortality, morbidity and high economic costs frequently associated with disease emergence. To date, paucity of data on parasite occurrence and host species attributes has prevented large-scale comparative studies. Here, we use newly compiled datasets on the distribution, phylogeny and pathogen communities of wild primates to explore, for the first time, the importance of evolutionary relatedness and geographical overlap between host species in determining pathogen community similarity in a multi-host—multi-pathogen system.

Finally, we contrast patterns of pathogen sharing between wild primates with a dataset of pathogen sharing between wild primates and humans to explore whether similar evolutionary and ecological factors might structure the pathogen community of humans. Our results may therefore provide insight for understanding the diversity of human pathogens and the potential for host shifts between humans and wildlife. Material and methods a Primate host and pathogen data Evolutionary relationships among host species and divergence times were derived from Bininda-Emonds et al.

Primate species distributions were obtained from Grenyer et al. The pathogen species in the database represents a small but unknown fraction of the total pathogen community that infect wild primates. It is possible that the unique ecological status and distribution of humans provides a poor model for generalizing to the pathogen communities of primates; nonetheless, our number of recorded primate pathogens is likely to be a substantial underestimate of total pathogen species richness. In the following, we discuss the potential for biases due to incomplete sampling. We partitioned transmission mode into two categories:

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